29th November ebook promo

We all know that a paperback is worth more than an ebook – because you can pick it up, it has weight, dimension, volume…  and an ebook is only a file, right?

Haha – wrong!  (Got you all, didn’t I?)

On 29th November we are holding a BIG ebook sale at Glenstantia Library.

You know, the one in Isie Smuts road, off Garsfontein.

Of course we will have some paperbacks there as well. for those hard-core readers who want to absorb the words through their fingertips.  Only of the paperbacks that are already launched, alas.

We will also be having coffee and tea there, if you want to join us for a chat.  We’re inviting the P’kaboo Book Club.

glenstantia bib2 library

(The Glenstantia Library is an incredibly busy and creative community centre.)

What’s it all about, Alfie?

Currently listening to compositions by a young South African composer, Vincent van Rooyen.  Absolutely beautiful stuff.

Sometimes I really can’t understand the world.  It seems to be divided into us – and then, people whose prime and solitary gold – I mean, goal, is money.

Sure, money is important.  But how important?

Is it more important than family?  Is it more important than your own psyche?  Is it worth riding rough-shod over other people’s rights, possessions and feelings?

Certain things make 100% financial sense.  But (I’ll just make up an example here) let’s say for argument you have a distant relative who died rich and childless.  You’ve possibly met her once or twice but she wasn’t someone you were in close contact with.  She willed her fortune (which might have come to you) to some charity organization.  To what length would you go to dispute this, to get your hands on that “inheritance”?

I find that when I get into talks with someone like that over someone like that, I can’t keep up a conversation.  I walk away.  And now something like that (not a fortune, alas, just a functional item of which I already have one, albeit a much older one) is being launched at me and the person (who is dear to me) can’t understand why I don’t want it.  It’s not mine to take, or to use; and it’s not hers to give.  To be more obscure, someone else who’s also dear to me would reap the disadvantage of the whole thing.

I will not be made guilty of that.  Period.  I don’t need the item that’s being offered, as I already have a functional one (though mine is much older).  And now I’m being called all kinds of stupid for turning the offer down.  But that is exactly my point – people who place finances above personal issues will never understand people who feel the opposite.

It’s an issue I don’t need right now.  It’s a knock-on effect from someone else’s problem.  I have my own problems, I don’t need to take another’s monkey.  At least I know my own monkeys, I run that circus.  Anyone else out there who doesn’t want charity especially if it is going to cost someone else a price?

The Fundamental Uselessness Of Book Publishers

Found this little gem:

http://www.vox.com/2014/10/22/7016827/amazon-hachette-monopoly

In this article, Matthew Yglesias expounds on how

Amazon is doing the world a favor by crushing book publishers.

Needless to say, this grabbed my attention.  Those of you who know me:  I’m in both camps, of course.  (Typical Gemini!)  And predictably, I found myself both agreeing and disagreeing with various points in this well-written, eloquent if somewhat biased article.

 

The fundamental uselessness of book publishers

That’s actually a direct quote from the article, and it made me sit up a bit straighter.  Fundamental uselessness?

Giving it a bit of thought, I have to agree with everything he says (though he misses the point in several places).

There is nothing a publisher can do for an author that an author can’t do for himself.

Of course this is so, and it was already so in the 1930’s.

My great-uncle was a writer.  He was also a very hands-on craftsman.  He wrote adventure stories about the place that was then known as Southwest-Africa.  They were great stories; I read them.

He was living in Windhoek, and there was a war brewing across the Big Blue.  Nobody in either Southwest-Africa nor in Germany wanted to publish his novels, take a risk on an obscure writer from a more obscure place with no known readership.  So he type-set them himself; illustrated them himself (he also was a gifted painter), printed them himself (hand-printing, I’m not clear on the process he used), hand-bound them properly (with section-sewing and perfect-bind) and then tried to market them…

He didn’t have Amazon and he didn’t need Amazon to sell the copies he sold.  They look fabulous, just like many books that were printed in that era.  The binding is in fact of much better quality than a lot of modern binding.

Today, authors can follow his recipe, except so much more easily on Amazon and other places.

The challenges they face today are exactly the same challenges he faced back then:  Where to find a readership, how to market.

Finding a readership is easier today than ever before: Just throw your book online for free.

Of course it also means you won’t make a penny off it.   Because once people have got something for free, why should they pay?  You’ve possibly built a big readership, but it’s a readership of (in webbie jargon) tire-kickers. They never pay for anything because everything they get online, they get for free.  They search until they find something for free, and if it’s not yours, it will be someone else’s.  They’re not particular about that.

How to market is another matter altogether.  Marketing implies that money will flow.

Many authors are born salespeople.  That’s how they have the character trait that enables them to sit lonely behind a computer for countless hours, weeks, months, creating something pure and beautiful that does not exist for any earthly reason at all.  …right?

But Yglesias has got this covered.  In the article he expounds on how pathetic most publishers are with marketing a book.

Well, yes, if they are, they most certainly are going to drown in this wave.  And it’s not the Amazon wave.  It’s the FREE ebook wave.

So I was right…

… we are indeed reinventing the wheel.  The book publishing world is in flux.  Publishers will have to be on their toes to offer something real that authors not only want but need.

And at the moment, the biggest “service” they offer is their stamp of approval, that logo that says this author is not one of those many who threw their divinely inspired first draft online unedited, hoping for instant fame.

And the rebel in me asks:  What’s the good in that?  Good grief, we’re all long out of school.  Has the world come to this?  Do we really have to patrol people’s spelling, grammar etc?  Or should we allow it to run its course and let the language “evolve” (or deteriorate, depending how you feel about it)?  English is not the most logical language to begin with, and I have it on reliable hearsay that laughably, a lot of its weird spelling quirks were fixed into place by an “authority” who was later discovered to be clinically insane.  Surprised, anyone?

And then there was reality.

Let’s get real.  Publishers offer a service.  They add quality to a book, by insisting on top-rate editing, layout etc.  They offer this service in exchange for (nobody is a charity here) a part of the revenue.  The “lion’s share” in Yglesias’ books.  I don’t know how much the man knows or guesses about the actual finances of publishing; but in fairness he is talking about e-publishing, and if publishers grab an over-large portion there it does indeed look odd.  Only remember that the publisher has laid out money for editing (which invariably the author feels was unnecessary) and for the other professional services needed to smooth a book into its best shape.  The revenue per sale is a minute fraction of the layout; so if the publisher takes a large portion of the initial sales, it’s an attempt to recover the layout as fast as possible.

This service of improving the quality and raising it to professional levels is a service to readers and authors alike.  Remember, your time and attention is known as “internet gold”, the most sought-after commodity online.  Offline, too, a book has to compete with thousands of other options you have of spending a few enjoyable hours.  If you are a person who is aware of the value of your time (especially your free time), the fact that you don’t have to chew through poor quality manuscripts should endear publishers to you – they’ve done it for you, and filtered away every book that they thought might leave you frustrated.

But the larger service to authors is of course marketing, distribution and publicity.  A publisher will get your book into more places than you could ever think of yourself.  A publisher is a go-between for a reason.  A publisher will organize your book to be reviewed by respected places, and will get you publicity in the media – local or otherwise.  He will get your book on lists you don’t even know exist.

You can of course do everything yourself.

Like, for instance, cover design.  Or your own website.  There is nothing stopping you from learning how to do it;  many people have learnt how to design, how to web-design, how to do SEO, how to market, how to print and bind a book (all 1000 copies of it)…  people also service and repair their own cars, do their own plumbing and electricity, do the bricklaying when building their own home, learn (for four years in an engineering degree) how to construct their own home so it won’t collapse in the first rain storm…  you can, eventually, do everything yourself.  Like the “Voortrekkers”, the pioneers trekking across the bush in ox-wagons.

The question is, will you still have time to write books, after that?

 

 

Why NanoWrimo?

This is a question I asked myself for a few years, when others prompted me to participate. “Nah, I don’t do competitions.” That’s basically it: I’m not a competitive person. I hate rivalry, petty jealousy and all that nonsense. I think someone once told us (at our matric farewell, no less) that life is a competition. I remember thinking back then, “in your dreams, sir.”

But somehow I participated last year, anyway.  Why?  Not because it’s a competition.  Because it’s a challenge.  I love a challenge.  And did it pay off!  Here is what I got out of it:

  • A fun novel (“Arcana”, the story of Ivy Pennington, accidental witch)
  • All the fun from writing a novel from beginning to end
  • a reminder that I’m a writer and that I can pull it off
  • all my inspiration refreshed, and my vooma and gusto for not only writing but publishing
  • fun, fun, fun!

It is incredibly important that one grabs a challenge when it’s set.  Actually the best challenge I can get is if someone says “it can’t be done” when I know I can do it.

This year I’m raising the stakes!

I’m going to participate again – at least, I’ll do my level best to try (the worst that can happen is that I run out of inspiration as I’m a “pantser”, one of those believers in hard-core spontaneity).  But additionally to that, I’m looking for authors who would like to approach P’kaboo for publishing when they are finished.  Especially young authors.

In the interim, feel free to pop a comment here if you’re participating in Nano.  I’d like to follow your progress.

…pumpkin time, I’m signing off…

 

gipsika